CHILDHOOD THREADS

An exploration of weave patterns and textures inspired by memories of the soft, comfortable, and safe embrace of childhood. This influenced my light, earthy color palette and chunkier yarn choices.

Process: I began by experimenting with smaller fabric swatches to test patterns, techniques, and color combos I would use in my final work.  With sewing thread, I wrapped strips of canvas to try various color ratios.  The art of weaving was completely new to me, but over the course of a few weeks, I left armed with a new skill set. So much of what makes a neat weave comes from the preparation. I calculated how many ends of warp yarn I would need to make 4’x2′ piece of fabric, measured it out on a warp board, transferred it to the loom via lease sticks, spaced the warp, threaded the individual heddles, and tied up the shafts according to the weave pattern I wanted.

Tools: Yarn, 8-shaft floor loom, shuttles, brass reed, heddle hook, raddle, lease sticks

SERAPH’S BOW

A wall-mounted light fixture with entryway applications. 

Process: My earliest sketches were a jumble of shapes.  The drawing that would become my first prototype was comprised of two cylinders fitted horizontally into a small rectangular prism.  Quickly, I realized there was nowhere to put the light source and illumination would be limited. In the next stage, I opened up the sides to reveal a rotated cylinder, which would hold the bulb, and added a front cutout.  These changes allowed the fixture to feel less heavy and blocky.  Still, it was proving difficult to marry the curvy cylinder with the boxy exterior.  Later modifications included rounding the corners of the sides, enlarging and lengthening the structure, while maintaining a subtle elegance.  I stripped it down as far as I could without revealing the light source.

With each rapid prototype, I engaged in ideation, asking myself about form: Where should I place the cutouts and what shape should they be? Where should I keep the symmetry?  Should I break the full rectangle? Is the side profile consistent with the front view? 

and function: is the light too concentrated in one direction? Could this fixture be placed in multiples? As a pair?

The final light was meant to be elegant, but not loud, and low glare from all viewing directions.